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28-105mm
28-105mm
28-105mm

ART 28-105mm F2.8 DG DN

AED 5660

Mounts

  • Wide range including popular focal lengths for portraits
  • F2.8 maximum aperture throughout entire range
  • 1:3.1 reproduction ratio for detailed close-ups
  • Uncompromising optical performance
  • Dust and splash-resistant structure
  • HLA (High-response Linear Actuator) focus motor
  • Water and oil repellent front coating
  • Designed to minimize focus breathing
  • Designed to minimize flare and ghosting
  • Magnesium alloy components reduce weight
  • Equipped with two AFL buttons
  • Aperture ring with de-click function

Lens Construction

18 elements in 13 groups (2 FLD, 1 SLD, 5 aspherical elements)

Edition Number

A024

Sensor Size

Full Frame

Angle Of View

75.4° (W) - 23.3° (T)

Number of Diaphragm Blades

12 (rounded diaphragm)

Minimum Aperture

F22

Minimum Focusing Distance

40cm / 15.8 in.

Maximum Magnification Ratio

1:3.1 (at 105mm)

Filter Size

82mm

Dimensions

L-Mount: 87.8mm x 157.9mm / 3.5 in. x 6.2 in. Sony E-mount: 87.8mm x 159.9mm / 3.5 in. x 6.3 in

Weight

L-Mount: 995g / 35.1 oz. Sony E-mount: 990g / 34.9 oz.

Filter diameter

Lens Type

EAN-code

Constant F2.8 aperture across a versatile 28-105mm zoom

Many conventional zoom lenses which have a reach up to 105mm do not offer a constant F2.8 aperture, usually dropping to F4 at the long end. But the Sigma 28-105mm F2.8 DG DN | Art delivers the same impressive light-gathering and depth-of-field benefits across the whole focal range. The lens offers all of this along with extremely high optical performance thanks to the thorough suppression of optical aberrations within each lens group. And with its outstanding close-focusing capability when zoomed in, macro-style results are also possible.

A versatile F2.8 aperture perfect for portraits and low light

With its fast aperture across the whole focal range, the Sigma 28-105mm F2.8 DG DN | Art is a true workhorse lens that can be used for almost any type of photography. Scenic photographers can shoot wide-angle landscapes, using the F2.8 aperture for low-light scenes and twilight urban views, while the middle focal lengths tackle dimly lit documentary and street subjects, allowing shutter speeds one stop faster than comparable lenses. At the long end, popular portrait focal lengths from 85mm and 105mm, combined with the F2.8 maximum aperture, produce a shallow depth-of-field that will isolate a subject impressively against large and beautiful bokeh.

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Fill the frame with superb close-up performance

Achieving a minimum focus distance of just 40cm across its entire zoom range, the Sigma 28-105mm F2.8 DG DN | Art can get you closer to your subject, filling the frame with detail and texture. At its 105mm setting, this creates a very useful maximum magnification ratio of 1:3.1 for powerful macro-style results.

Superior optical performance across the full zoom and focus range

The Sigma 28-105mm F2.8 DG DN | Art operates without compromise, suppressing aberrations very effectively within each lens group, and throughout the entire zoom and focal range. This ensures the lens has a consistent performance even with such a long zoom range. This is thanks to the lens’s premium optical design, which includes two FLD, one SLD and five aspherical elements, the first grouping of which uses a large-diameter 66.4mm element that is extremely difficult to produce and only available thanks to Sigma’s advanced manufacturing technology at its sole production base in Aizu, Japan.

Designed to minimize flare and ghosting

Using advanced simulation technology, flare and ghosting have been largely eliminated, ensuring that the lens renders rich, high-contrast results in all conditions. In addition, Sigma’s Nano Porous Coating and Super Multi-Layer Coating have been applied to further suppress flare and ghosting.

Minimal focus breathing

Vital for film-makers who demand consistent framing, the lens has been designed to keep focus breathing to a minimum. This ensures that any changes to the angle-of-view due to focus shift are minimized across the entire zoom range, ensuring natural-looking focus pulls when recording video, and easier image alignment when focus stacking.

Superb portability thanks to a weight of less than 1kg

Standard zooms should be small and light enough for all-day hand-held shooting, so the Sigma 28-105mm F2.8 DG DN | Art has been designed with portability in mind. It combines five aspherical elements effectively in place to shorten the overall length, and a magnesium-alloy construction around the mount, keeping the weight of the lens to less than 1kg. This ensures the lens has superb portability similar to shorter standard zoom lenses, while providing a wider zoom range.

Excellent optical performance in a streamlined body

By using five aspherical elements in its optical construction, Sigma has succeeded in significantly shortening the lens’s total length without any compromise to sharpness and image quality. This advanced configuration was only made possible by continuous technological innovation and cutting-edge manufacturing processes at Sigma’s sole production base in Aizu, Japan.

Smarter design means lower weight

Constant F2.8 zoom lenses can be heavy, but by optimising the design and materials of each part of the Sigma 28-105mm F2.8 DG DN | Art, Sigma has achieved a remarkably light weight of less than 1kg. The use of magnesium-alloy rather than aluminum for the lens barrel around the mount has reduced the weight of these parts alone by two-thirds, while ensuring rigidity.

Professional features, fast AF and excellent build quality

In addition to high-speed AF delivered by its linear motor HLA (High-response Linear Actuator), the Sigma 28-105mm F2.8 DG DN | Art packs in a range of features that help deliver the best possible results in every shooting situation. These include a dust- and splash-resistant structure and water- and oil-repellent coating, as well as a zoom lock switch, a de-clickable aperture ring, AFL buttons and the focus ring for easier handling including shooting with MF.

An aperture ring for improved ergonomics

For quick changes to exposure, or a more traditional way of shooting, the lens is equipped with a dedicated aperture ring, allowing the user to change aperture via the lens if preferred. An aperture ring click switch is a useful tool for film-makers, and a lock switch helps ensure the aperture ring is not knocked out of its setting accidentally.

Two AFL buttons* for added customization

Located on the side and on top of the barrel, two customizable AFL buttons can easily be reached in either horizontal or vertical shooting positions, ensuring more ergonomic handling. * Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera

Zoom lock switch to keep the zoom ring secure

The lens is equipped with a zoom lock switch that holds the zoom mechanism in place at its wide end, preventing it from extending unintentionally under its own weight when carried. The lock can be released by the switch, or by turning the zoom ring for a faster and more flexible workflow.

Weather-resistant structure for challenging conditions

The lens has a dust- and splash-resistant structure* that keeps it free of contaminants in harsh outdoor environments. The front element also features a water- and oil-repellent coating that helps keep it clean in adverse shooting conditions. * The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable

Petal-type hood

A dedicated petal-shaped hood is supplied. A locking mechanism is provided for secure attachment.

Lens Construction

FLD glass

SLD glass

Aspherical lens

MTF CHART

The MTF (Modulation Transfer Function) is one of the measurements for evaluating a lens' performance, and it shows how faithfully the contrast of the subject can be reproduced on the image plane. The horizontal axis shows the image height (distance from the center of the image in mm) and the vertical axis shows the contrast value (maximum value is 1). The closer the 10 line pairs/mm curve is to 1, the higher the contrast and clarity of the lens is, and similarly, the closer the 30 line pairs/mm curve is to 1, the better the resolution and sharpness of the lens is. *The MTF chart depicts the result at the wide-open aperture. *For mirrorless lenses that support distortion correction, the horizontal axis shows the image height equivalent to when an L-Mount lens is attached to a Sigma L-Mount camera with distortion correction applied. (The effect of distortion correction may differ depending on the mount and camera used.) *The spatial frequency indicates the variation on the image plane before distortion correction is performed.

Spatial Frequency

S: Sagittal Line

M: Meridional Line

10lp/mm

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30lp/mm

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DIFFRACTION MTF 18MM

df-02

DIFFRACTION MTF 35MM

df-02

GEOMETRICAL MTF

DIFFRACTION MTF

Inner focus system

To increase stability, this lens configuration uses movable internal lens elements that adjust focus without changing the length of the lens barrel.

Compatible with Lens Aberration Correction

Matching the optical characteristics of the lens, this function performs in-camera corrections of peripheral illumination, chromatic aberrations, distortion, and more, to further enhance image quality. *Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model. *On cameras where lens aberration correction is controlled with 'ON' or 'OFF' in the camera menu, please set all aberration correction functions to 'ON' (AUTO).

HLA (High-response Linear Actuator)

HLA is Sigma's proprietary linear motor. It drives the focus lens directly without going through gears or other mechanical parts, resulting in quiet, high-precision autofocusing

Super Multi-Layer Coating

Sigma's own Super Multi-Layer Coating suppresses flare and ghosting by preventing reflections with in the lens. All lenses in the current Sigma range feature this original technology. In digital cameras, flare and ghosting may also be caused by reflections between the image sensor and lens surfaces. Here too, Sigma's Super Multi-Layer Coating is highly effective, assuring images of outstanding contrast

Nano Porous Coating

NPC (Nano Porous Coating) incorporates porous silica as the coating material. The porous silica layer has nano-sized holes with air inside. Having holes of this size enables a large reduction in the refractive index, allowing the reflectance to be lowered more than conventional anti-reflective coatings. As a result, reflected light causing flares and ghosting is sharply reduced, achieving clear image quality.

Water and oil repellent coating

Incorporates a water and oil-repellent coating that allows water to be wiped away easily and prevents oil and grease from sticking to the surface, even in challenging shooting conditions. At the same time, the maintenance of the lens surface becomes easier

Aperture ring

Aperture ring, designed to help users work intuitively.

Aperture ring click switch

Offers a de-click function for removing clicks by the aperture ring click switch, enabling seamless operations that are especially useful such as during video shooting.

Aperture ring lock switch

A ring lock system to prevent from unintended movement of the aperture ring during shooting.

AFL button

The AFL button can be assigned with various functions widens the range of operations available on the lens.

COMPATIBLE ACCESSORIES

Li-ion Battery Pack BP-81

AED 360

USB DOCK (UD-01 / UD-11)

AED 185

Mount Converter MC-21

AED 800

Mount Converter MC-11

AED 800

2X Teleconverter TC-2011

AED 1490

1.4X Teleconverter TC-1411

AED 1385

Li-ion Battery Pack BP-81

AED 360

USB DOCK (UD-01 / UD-11)

AED 185

Mount Converter MC-21

AED 800

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